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David Streefkerk - Head of Post Production/Creative Sound
Designer

David Streefkerk is good at what he does. Very good.

His diligence and attention to absolute quality in his work is obvious in the end product, which is why his productions have continued to receive both awards and respect for their "finish" worldwide. His clients speak for themselves.

David's latest project, the audio post production for "Deliver Us From Evil", won "Best Documentary" at the LA Film festival.

Front of house engineer for Motley Crue, John Farnham, Sting, U2.

Engineer and producer of albums for Noid, Ignite, Blue Kill.

Recording of the Vienna, London, Berlin, Budapest, Sydney and Melbourne Symphony Orchestras.

He is now at Atlantis as head of post production and as a creative sound designer.

David's company "Two Bob Watch International" (based in Hollywood and now Atlantis Sound, Melbourne) is a comprehensive post production unit encompassing dialogue and music editing, sound effects and innovative sound design.

Whether it be a feature film or an HBO series, work can be done simultaneously in every corner of the world, and then brought together seamlessly. This unique approach has allowed David to take full advantage of talent no matter where they may be, to produce a superior end product in less time. Atlantis Sounds' involvement brings it to the forefront of modern post production.

Mick Harvey - High Definition Screen Composer.

Multi instrumentalist, composer and arranger Mick Harvey is best know for the pivotal role he has played, together with Nick Cave, in creating some of the most original music of the last 25 years. From the Boys Next Door, through the Birthday Party to The Bad Seeds, Mick has provided the intricate and atmospheric arrangements that have brought life to Cave's lyrical narratives.

Since composing the scores to two German productions in 1987, the documentary "Identity Kid" and the TV drama "Totes Geld", Mick has built an impressive portfolio of film scores.

In 2002 Mick scored the acclaimed feature "Australian Rules" which marked the directorial debut of Paul Goldman and had its premiere at the Sundance Film Festival.

"Chopper" was a major box office success in Australia and in several other territories and Mick's score earned him an AFI nomination for Best Original Music Score.

RECENT FILM CREDITS

2006 Paul Goldmans “Suburban Mayhem”
2006 Disarming Films (USA) ”Deliver Us From Evil” wins best doco at LA Film Festival

OTHER FILM CREDITS INCLUDE:

Rosenhugel (Hungary/Germany 2003)
Australian Rules (Australia 2002)
Chopper (Australia 2000)
To Have And To Hold (Australia 1996) with Blixa Bargeld and Nick Cave
Vaterland (Germany 1992) with Alexander Hacke
Alta Marea (Italy 1991)
Ghosts…..of the Civil Dead (Australia 1989) with Blixa Bargeld and Nick Cave

SHORT FILM CREDITS INCLUDE:

Rien Ne Va Plus (Germany 2005)
Break & Enter (Australia 1999)
Sparrow (Australia 1996)

DOCUMENTARY CREDITS INCLUDE:

Frank Hurley: The Man Who Made History (Australia 2005)
Tim Storrier - Lighting Fires (Australia 1993)
Die Revolution im Fernsehen (Hungary 1991)
Identity Kid (Germany 1987)

TV DRAMA CREDITS INCLUDE:

Totes Geld (Germany 1987)

THEATRE CREDITS INCLUDE:

And The Ass Saw The Angel (Australia 1993) with Edward Clayton-Jones

SOUNDTRACK ALBUM CREDITS INCLUDE:

Australian Rules (2003)
Chopper (2000)
And The Ass Saw The Angel (2000)
To Have And To Hold (1996)
Alta Marea & Varterland (1993)
Until The End Of The World (1991) 2 songs
Ghosts of the Civil Dead (1990)
Wings of Desire (1987)

Jason Furness - Composer/Producer

Jason Furness began composing and producing his own music in 1991 and later became one of the top students to come out of RMIT’s Technical Production Facility. As part of his studies Jason began work placement at Atlantis last year and has assisted on many sessions with artists including Maurice Frawley and the Yard Hands, Tri State Lovers and Tagazo.
 
Jason’s engineering credits include Tim Downey, Savidas, Crackerbox Palace and Ma’s Folly and he has also worked alongside some of Melbourne’s finest engineers and producers with acts including Kate Viggo and Colourblind (with Adam Rhodes at Sing Sing).

As a composer and producer Jason has to his credit a string ad campaigns for radio, internet and TV as well as composition and sound design for animation and film. Outside broadcast and live engineering experience includes the live recording and production of a 5.1 surround DVD with Blind Munkee, Chainsaw Girls, Bravado and Brilliant Cut and being part of the army of engineers that brought the Melbourne 2006 Commonwealth Games to the world.